PHILIPPE PARRENO: ANYWHEN
4 October 2016 – 2 April 2017
Open daily 10 – 18 and until 22
Tate Modern today unveils a new commission by French artist Philippe Parreno. Entitled Anywhen, the commission transforms the Turbine Hall into an experience that plays with time and space, guiding the public through constantly changing stages of light, sound and moving elements. This is the second annual Hyundai Commission, a series of site-specific works created for the Turbine Hall by renowned international artists, as part of the partnership between Tate and Hyundai Motor.
Anywhen presents itself as an instrument which performs a series of functions and constructs a series of situations. The hall’s lights are controlled and activated according to different sequences. An additional moving light casts shadows throughout the hall and a large central ‘marquee’ – a canopy covered in lights – is suspended over the Level 1 bridge. A changing soundscape is broadcast from various sources, blurring the sense of inside and outside, public and private, natural and technological. Vertical and horizontal acoustic panels, a screen, a grid of speakers and a projector come together in different configurations, and from time to time they present a film featuring a stage ventriloquist and underwater creatures.
Following the opening of the new Tate Modern this summer, Anywhen is the first commission to respond to the Turbine Hall’s new position at the centre of the museum, an open space connected to the city itself and free for the public to enter from many different levels and directions. As if on a walk through an urban park, visitors to Anywhen encounter events, movements and images that appear and disappear over time.
Anywhen is conceived in dialogue with other visual artists and practitioners. A moving light entitled Another Day With Another Sun, incorporated into the commission, is a work made in collaboration between Liam Gillick and Philippe Parreno. Tino Seghal and Isabel Lewis worked with Parreno on the dramaturgy. The sound has been designed by Nicolas Becker with Cengiz Hartlap, while actress, comedian and ventriloquist Nina Conti features in the film. During the six months from October 2016 to April 2017, the sequence of events will continue to evolve into a pattern, informed by micro-organisms that will learn to react to and activate elements of the commission through a bio reactor designed by Jean-Baptiste Boulé and Nicolas Desprat. Some other collaborators may also contribute to the evolving nature of the commission.
A key artist of his generation, Philippe Parreno’s works have often explored the borders between reality and fiction, the experience of time and the ritual form of the exhibition. Parreno lives and works in Paris, and is represented in several major museum collections, including Tate; MoMA, New York; and the Centre Pompidou, Paris. He has participated in multiple Venice Biennales since the early 1990s and in recent years has exhibited at HangarBicocca, Milan (2015); Park Avenue Armory, New York (2015); Palais de Tokyo, Paris (2013); The Garage Centre for Contemporary Culture, Moscow (2013); The Serpentine Gallery, London (2010); and the Centre Pompidou, Paris (2009).
The Hyundai Commission 2016 is curated by Andrea Lissoni, Senior Curator, International Art (Film), Tate Modern with Vassilis Oikonomopoulos, Assistant Curator, Tate Modern. It is held in partnership with Hyundai Motor, with support from Kvadrat,
LUMA Foundation and the Philippe Parreno Supporters Circle.
Since Tate Modern opened in 2000, the Turbine Hall has hosted some of the world’s most memorable and acclaimed works of contemporary art, reaching an audience of millions. The way artists have interpreted this vast industrial space has revolutionised public perceptions of contemporary art in the twenty-first century. The annual Hyundai Commission gives artists an opportunity to create new work for this unique context. It is made possible by the long-term partnership between Tate and Hyundai Motor, confirmed until 2025 as part of the longest initial commitment from a corporate sponsor in Tate’s history.
Established in 1967, Hyundai Motor Company is committed to becoming a lifetime partner in automobiles and beyond. The company leads the Hyundai Motor Group, an innovative business structure capable of circulating resources from molten iron to finished cars. Hyundai Motor has eight manufacturing bases and seven design & technical centers worldwide and in 2015 sold 4.96 million vehicles globally. With more than 110,000 employees worldwide, Hyundai Motor continues to enhance its product line-up with localized models and strives to strengthen its leadership in clean technology, starting with the world’s first mass-produced hydrogen-powered vehicle, ix35 Fuel Cell and IONIQ, the world’s first model with three electrified powertrains in a single body type.
Hyundai Motor has a strong commitment to supporting art communities and has initiated partnerships with organizations around the world to offer better access to experiencing art. The Hyundai Commission is part of a unique long-term partnership between Tate and Hyundai Motor. Hyundai Motor hopes to encourage greater understanding of art through the annual Hyundai Commission. Hyundai Motor explores the unique values of art, in addition to supporting the Hyundai Commission, with the National Museum of Modern and Contemporary Art, Korea (MMCA), and the Los Angeles County Museum of Art (LACMA) and supports the spread of the extraordinary experiences. Also Hyundai Motor and global media group Bloomberg launched a collaborative project ‘Brilliant Ideas’, which realizes a new vision to profile major art personalities to deliver exciting insight.
Further information about Hyundai Motor’s global art partnerships and its various activities is available at http://brand.hyundai.com
Kvadrat was established in Denmark in 1968 and has deep roots in Scandinavia’s world-famous design tradition. Kvadrat holds the leading position in Europe’s high-quality contemporary textiles market. They supply architects, designers and private consumers across the world with textiles and textile-related products. Their products reflect our commitment to colour, quality, simplicity and innovation. Kvadrat consistently push the aesthetic, technological and functional properties of textiles. In doing so, they collaborate with leading designers, architects and artists; among others, Miriam Bäckström, Tord Boontje, Ronan and Erwan Bouroullec, Thomas Demand, Olafur Eliasson, Alfredo Häberli, Akira Minagawa, Giulio Ridolfo, Peter Saville, Finn Sködt, Roman Signer, as well as Patricia Urquiola.
In partnership with
With support from Kvadrat, LUMA Foundation and the Philippe Parreno Supporters Circle
Artwork © Philippe Parreno 2016. Photography © Ola Rindal 2016.
Installation view of Hyundai Commission 2016:
Philippe Parreno: Anywhen, 2016 Photo credit: Tate Photography