Hauser & Wirth Jan 17

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Hauser & Wirth New York
Philip Guston Laughter in the Dark
Drawings from 1971 & 1975
Panel Discussion
Tue 10 Jan 2017 | 6 – 8 pm
1 Nov 2016 – 28 Jan 2017
548 West 22nd Street
New York 10011
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Hauser & Wirth New York,
Paul McCarthy Raw Spinoffs Continuations
Paul McCarthy in Conversation
with Massimiliano Gioni
Thu 12 Jan 2017 | 6 – 8 pm
Exhibition: 10 Nov 2016 – 4 Feb 2017
511 West 18th Street
New York NY 10011
"Chop Chop" by Paul McCarthy, PMC #15585
Chop Chop, Chopper, Amputation , 2013
Clay, wood, mixed materials
360 x 1080 x 350 cm / 141 3/4 x 425 1/4 x 137 3/4 in
Photo: Fredrik Nilsen
 
 
Hauser & Wirth New York
Rita Ackermann KLINE RAPE
Performance:
Ieva Misevičiūte inspired by Rita Ackermann
Fri 13 Jan 2017 | 6.30 pm
Sat 14 Jan 2017 | 6.30 pm
Exhibition: 10 Nov 2016 – 14 Jan 2017
548 West 22nd Street
New York 10011
 
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Stretcher Bar Painting 11, 2016
Oil and acrylic on canvas 195.6 x 111.8 cm / 77 x 44 in
© Rita Ackermann Courtesy Hauser & Wirth
Photo: Genevieve Hanson

Hauser & Wirth Somerset
Djordje Ozbolt – Brave New World
Opening reception:
Wednesday, 18. January 2017 | 6 – 8 pm
Exhibition: 19 January – 7 May 2017
Durslade Farm
Dropping Lane, Bruton
Somerset BA10 0NL
http://www.hauserwirth.com/

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Moral Dilemma of a Confused Mind, 2016
Acrylic on canvas, 152 x 122 cm / 59 7/8 x 48 in

Hauser & Wirth Somerset is pleased to announce a new solo exhibition by Djordje Ozbolt, following the artist’s residency with the gallery in 2016, at The Maltings Studios in Bruton. ‘Brave New World’ introduces an entirely new body of work conceived during Ozbolt’s residency, and the show’s title takes its name from the 1932 science fiction classic by Aldous Huxley. It is also a reminder of the renowned line uttered by Miranda in Shakespeare’s The Tempest, ‘O brave new world, that has such people in’t!’ – with both references rousing feelings of nostalgia and wonderment.

In Ozbolt’s ‘Brave New World’, the visitor is sent on a journey in which they encounter a variety of landscapes populated by myriad characters and rituals, passing from one zone to the next as though on a quest for divine inspiration. Ozbolt himself is an avid traveller, whose work irreverently borrows from a plethora of cultures, traditions, and curiosities, inviting viewers to look afresh at each reference. This exhibition reflects Ozbolt’s ongoing interest in combining canonical art historical motifs with cartoon imagery and kitsch, using a wide range of techniques including painting on canvas, casting in resin, sourcing ready-mades from the Internet and sculpting with remnants from the studio.

http://www.hauserwirth.com/exhibitions/3032/djordje-ozbolt-brave-new-world/view/

Hauser & Wirth Somerset
Elisabeth Frink
Transformation
Opening reception
Wednesday, 18 January 2017 | 6 – 8 pm
Exhibition: 19 January – 7 May 2017
Durslade Farm
Dropping Lane, Bruton
Somerset BA10 0NL

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Elisabeth Frink, Head, 1967 © Frink Estate

Hauser & Wirth Somerset presents a major solo exhibition of sculpture by the late Elisabeth Frink. The exhibition ‘Transformation’ comprises a selection of Frink’s distinctive bronzes produced in the 1950s and 1960s, alongside a series of drawings that highlight the artist’s skill as a draughtsman. Outside in the grounds are some of Frink’s most important sculptures from her later life, including the celebrated Riace Warriors.

http://www.hauserwirth.com/exhibitions/3051/elisabeth-frink-transformation/view/

 

Hauser & Wirth Zürich
Henry Moore
Myths & Poetry
Opening reception
Thursday 19 January 2017 | 6 – 8 pm
Exhibition: 20 January – 11 March 2017
Limmatstrasse 270
8005 Zürich
 
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Henry Moore applying colour to a preliminary drawing in his studio, Perry Green, Hertfordshire, April 1971 Photo: Errol Jackson
 

An exhibition focused on Henry Moore’s early drawings and etchings inspired by, or relating to, poetry and myth. Including poetry magazine covers, illustrations for poems by Herbert Read and sketches of the Prometheus myth, the presentation explores the graphic side of Moore’s practice and illuminates his interest in sculptural mythology. It is curated by the artist’s daughter, Mary Moore.

Reproduced by permission of the Henry Moore Foundation
Hauser & Wirth Zürich
Rodney Graham
Media Studies
Opening reception
Thursday 19 January 2017 | 6 – 8 pm
Exhibition: 20 January – 11 March 2017
Limmatstrasse 270
8005 Zürich
 
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Rodney Graham, Media Studies ’77, 2016 © Rodney Graham
Two painted aluminum lightboxes with transmounted chromogenic transparencies
Each panel: 232.2 x 182 x 17.8 cm / 91 5/8 x 71 5/8 x 7 in
Installed dimensions: 232.2 x 376 x 17.8 cm / 91 5/8 x 148 x 7 in
© Rodney Graham Courtesy the artist and Hauser & Wirth

 

 

 

Hauser & Wirth London
On the occasion of
‘Ken Price. A Study in Sculptures and Drawings, 1959 – 2006’
Thursday, 19 January 2017 | 6.30 – 7.30 pm
Tim Marlow
Artistic Director, Royal Academy of Arts
in Conversation with Alun Graves, Senior Curator
Ceramics and Glass, Victoria & Albert Museum
9 December 2016 – 4 February 2017.
23 Savile Row, London W1S 2ET

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Ken Price, Untitled, 1986
© Estate of Ken Price, Courtesy Matthew Marks Gallery
Photo: Fredrik Nilsen

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