Michael Horsky – Sphaera Superiora

Ruberl13.00.21

Galerie Ruberl
Michael Horsky – Sphaera Superiora
Eröffnung: Opening:
Donnerstag, 27. September 2018 | 18 Uhr
Zur Ausstellung erscheint ein Katalog.
Ausstellung: 27. 09. – 03. 11. 2018
Himmelpfortgasse 11, 1010 Vienna, Austria
https://www.ruberl.at
https://www.michaelhorsky.at

 

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Michael Horsky – Sphaera Superiora
27. 09. – 03. 11. 2018
Ausdrucksmittel von Michael Horsky ist die Malerei in intensiver Form und Farbe. Seine Tafelbilder strukturieren sich durch den mehrmaligen Prozess im Auslöschen und Wiederfinden herausgelöster figürlicher Elemente.

Eine Inszenierung von Form und Farbe, ein streng geregeltes Spiel von Bedeutung und Betörung …… Reine Malerei.

Ein Objekt filtert sich aus unzähligen vorangegangenen heraus und setzt in der Abfolge seelische Schwingungen frei.

 

 

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Michael Horsky
* 1973
Der 1973 in Prag geborene Künstler Michael Horsky studierte an der Akademie der bildenden Künste in Wien bei Wolfgang Hollega und Hubert Schmalix. Er lebt und arbeitet in Wien.

Bei mir passiert alles über das Tun.
Also zuerst schießen und dann fragen. … Michael Horsky 2018
http://www.michaelhorsky.at

Zur Ausstellung erscheint ein Katalog.

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YVES HAYAT QUID NOVI

Bildschirmfoto 2018-09-07 um 17.44.14.jpgGRASSE CRYPT CATHEDRAL
OF NOTRE DAME DU PUY
YVES HAYAT
QUID NOVI ?
OPENING RECEPTION
Sunday 16. September 2018 | 11:30 am
EXHIBITION:
15. SEPTEMBER – 15. NOVEMBER 2018
CRYPT
Cathedral of Notre Dame du Puy
Grasse, French Riviera
Open every day (except monday) 1 pm > 6 pm
http://www.ville-grasse.fr/

 

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YVES HAYAT
QUID NOVI ?
15. SEPTEMBER – 15. NOVEMBER 2018

Contemporary art is coming to the city of Grasse and what better setting than the Cathedral of Notre-Dame du Puy to host the new exhibition by Yves HAYAT?
Following the acclaimed « Perfume, that obscure object of desir » at the International Perfume Museum in autumn 2017, we are pleased to welcome him back to stage one of the most symbolic landmarks of the historic town.

With « Quid Novi? » he shakes up the classic codes to question poverty around the world and confronts us with existential questions, tears, bloodshed and the constant potential chaos in a disturbing and fascinating aesthetic.
Struck by dark thoughts but at the same time overwhelmed by the beauty of the forms, we are grateful to Yves HAYAT for revealing so well all the complexity of our human condition.

Jerôme Viaud

Mayor of Grasse
President of la Communauté d’agglomération du Pays de Grasse
Vice-President of the Conseil départemental des Alpes-Maritimes

 

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YVES HAYAT EXHIBITION
QUID NOVI ?
What’s new ?

I admit my interest in manipulating reality and its imaginary images. In the
end, it’s always the artist’s vision on its time that matters. The new technologies
offer a new way to look at our reality, allowing the unreal to look real
and reality unreal. The computer’s memory and the reproduction technologies
have not only provided an unbelievable freedom to the artistic disciplines but
also changed the essence of reality, questioning the idea of « déjà-vu ».
My artistic work results from my life story (Judaism, uprooting), my classic arts
training (Fine arts school), our overwhelming media culture (news channels
and social media) and my professional life (advertising creation).
The subject of « Quid novi? » (« What’s new? » in latin) questions the situation
of the oppressed throughout the history of its representation. Christianity
preaches a God who wanted to share in his flesh the pain of all humanity.
A God made man to experience torment, abandonment and solitude. My
images generated from the current news overprinted on his broken body are
making the daily martyr of humanity more concret and visible. The timeless and
universal image of the Christ, overwhelmed and reinforced by reality, provide
a sacred significance and a universal level to the contemporary imagery.

Of course, religious iconography has already been diverted since the beginning
of the twentieth century to condemn violence, racism, sexual segregation…
but what matters to me is the matching of distinct times with
technics that question reality like the two faces of the coin: sacred/profane,
past/present, expression/repression, affect/intellect, I try to offer a different
vision on the doubts and fears of our world.

 

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Yves Hayat
Yves Hayat by Francis Parent

(..) Hayat’s work is complex and uncompromising. It’s true, his
compositions of images, his arrangements of colors, and his (re)framing all
show a perfect mastery over digital manipulation and esthetics in general.
But beyond the quality of his images and his Artfulness is this: By using
the available technology of today, instead of the age old methods, his work
could have fallen into the trap of “l’in-sense’” (or senseless) where with
the right technology, meaning could be nonexistent. (The possibilities of
this new technology were first theorized in 1985 by J.F. Lyotard in “Les
immateriaux” and further developed by F. Popper in “Arts technologiques”.)
But instead of this, his work reaches deep into history and looks closely
at the present to be a springboard for our future. We can therefore count
on Hayat.
For even though he doesn’t make classical “pictures”, his remarkable work
will remain like a “painting” of our Society and our Times.

http://www.ville-grasse.fr/

 

 

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curated_by viennaline 2018

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curated by viennaline 2018
The gallery festival with international curators in Vienna
Das Galerienfestival mit internationalen Kuratorinnen und Kuratoren in Wien
Opening | Eröffnung:
Thursday, 13. 9. 2018 | 6 pm | 18–21 Uhr
Exhibition: 14.09.- 13.10.2018

Tue–Fri, 11 am–6 pm + Sat, 11 am–3 pm | Di–Fr, 11–18 Uhr + Sa, 11–15 Uhr

1010 Vienna

Charim Galerie Wien
curated by_Rebecca Lamarche-Vadel + Thomas Jeppe
Opening: Thursday, 13. 9. 2018 | 6 pm
Exhibition: 14.09.-13.10.2018
Dorotheergasse 12/1, 1010 Wien
http://www.charimgalerie.at/vorschau.htm

 

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Maria Bussmann
Nadelkissen Zunge / Zeichnung zu Hannah Arendt

Galerie Ernst Hilger
curated by_Katarzyna Uszynska
Wie banal ist das Böse?
Opening: Thursday, 13. 9. 2018 | 6 pm
Exhibition: 14.09.-13.10.2018
Dorotheergasse 5, 1010 Wien
http://www.hilger.at/

Galerie nächst St. Stephan Rosemarie Schwarzwälder
curated by_Julia Garimorth
Sheila Hicks & Judit Reigl
PANTA RHEI
Opening / Eröffnung: 13/09/2018 | 18 pm
Exhibition: 14. 9. – 3. 11.2018
Grünangergasse 1 – 1010 Vienna
https://www.schwarzwaelder.at/galerie

Galerie Emanuel Layr
curated by_Robert Müller
ELEVATIONS / CURATED BY_VIENNA 2018
Opening: Thursday, 13. 9. 2018 | 6 pm
MONIKA BAER, MERLIN CARPENTER, ANNE DICK, ILYA LIPKIN,
HANS-CHRISTIAN LOTZ, BIRGIT MEGERLE, JOHN MILLER,
GERWALD ROCKENSCHAUB, GEORGIA SAGRI, JACK SMITH,
TANJA WIDMANN, HEIMO ZOBERNIG
CURATED BY ROBERT MÜLLER
Exhibition: 14.09.-13.10.2018
Seilerstätte 2/26, 1010 Wien
http://www.emanuellayr.com/

Sophie Tappeiner
curated by_Cédric Fauq
THE SHARE OF OPULENCE; DOUBLED; FRACTIONAL
Opening: Thursday, 13. 9. 2018 | 6 pm
KOBBY ADI | MINIA BIABIANY | LEWIS HAMMOND |
CANDICE LIN & PATRICK STAFF | OLU OGUNNAIKE |
JULIE VILLARD & SIMON BROSSARD | DOMINIQUE WHITE
CURATED BY CÉDRIC FAUQ
Exhibition: 14.09.-13.10.2018
AN DER HÜLBEN 3, 1010 WIEN
http://www.sophietappeiner.com/

Mario Mauroner Contemporary Art Vienna
curated by_Lóránd Hegyi
Opening: Thursday, 13. 9. 2018 | 6 pm
Kendell Geers, Ugo Giletta, Marine Joatton, Michelangelo Pistoletto,
Bernardí Roig, José María Sicilia, Barthélémy Toguo,
Sandra Vásquez de la Horra, Fabien Verschaere
Exhibition: 14. 9. – 3. 11. 2018
Weihburggasse 26, 1010 Wien
http://www.galerie-mam.com/index/index.php?id=1

Galerie Elisabeth & Klaus Thoman
curated by_Markus Mittringer
Opening: Thursday, 13. 9. 2018 | 6 pm
Exhibition: 14.09.-13.10.2018
Seilerstätte 7, 1010 Wien
http://www.galeriethoman.com/home/

Croy Nielsen
curated by_Saim Demircan
All’estero & Dr. K.’s Badereise nach Riva: Version B
Opening: Thursday, 13. 9. 2018 | 6 pm
Marc Camille Chaimowicz, Whitney Claflin,
Oliver Croy and Oliver Elser, Stephan Dillemuth, Georgia Gardner Gray,
Rochelle Goldberg, Philipp Gufler, Ernst Herbeck, Tess Jaray,
Martin Kippenberger, Nick Mauss, Marina Sula, Mark Van Yetter,
Dario Wokurka, Miriam Yammad
Exhibition: 14. 9. – 27. 10. 2018
Parkring 4, 1010 Vienna
https://croynielsen.com/

 

Eschenbachgasse, 1010 Vienna

PoetPaul

GALERIE CRONE WIEN
curated by_Mark Rappolt
Opening: 13. 9.2018 | 18pm
Now Forever
Heman Chong, VALIE EXPORT, Josef Hoffmann, Mark Manders,
Djordje Ozbolt, Paul Poet, Egon Schiele, Christoph Schlingensief,
Anna Witt, Ming Wong, Nil Yalter
Exhibition: 14. 9. – 20. 10. 2018
Getreidemarkt 14, 1010 Vienna
http://galeriecrone.com/

 

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Eulàlia Rovira & Adrian Schindler
The Feet Fixed to the Ground Betray No Impatience, 2016

 

 

GALERIE MARTIN JANDA
curated by_Latitudes
Max Andrews and Mariana Cánepa Luna
Opening: 13. 9.2018 | 18pm
Cream cheese and pretty ribbons!
David Bestué, Sean Lynch,
Eulàlia Rovira & Adrian Schindler, Batia Suter
Exhibition: 14. 9. – 13. 10.2018
Eschenbachgasse 11, 1010 Vienna
http://www.martinjanda.at/de/

 

KROBATH Wien
curated by_Mirjam Thomann and Jenni Tischer
MILIEU
Opening: 13. 9.2018 | 18pm
Katharina Aigner, Maria Eichhorn, titre provisoire,
Stephanie Taylor, Mirjam Thomann, Jenni Tischer
Exhibition: 14. 9. – 13. 10.2018
Eschenbachgasse 9, 1010 Vienna
http://www.galeriekrobath.at/

GALERIE MEYER KAINER
curated by_Melanie Ohnemus
Opening: 13. 9.2018 | 18pm
Exhibition: 14. 9. – 27. 10. 2018
Eschenbachgasse 9, 1010 Vienna
http://meyerkainer.com/

 

GALERIE STEINEK
curated by_Gerald Matt
KONKRET-FRAU
Eröffnung: 13. September 2018 | 18–21 Uhr
Magda Csutak, Inge Dick, Dóra Maurer, Helga Philipp,
Beverly Piersol, Eugen Gomringer
Exhibition: 14. September – 13. Oktober 2018
Eschenbachgasse 4, 1010 Vienna
http://galerie.steinek.at/

 

Schleifmühlgasse,  A-1040 Wien

Georg Kargl Fine Arts
curated by_Wolfgang Kos
curated by viennaline 2018
Vienna Transit
Opening: 13. 9.2018 | 18 pm
Jitka Hanzlová, Anna Jermolaewa, David Maljkovic, Yves Mettler,
Milan Mladenovic, Christian Philipp Müller, Roman Ondák, Zara Pfeifer,
Gerwald Rockenschaub, Sue Williams
Exhibition: 14. 9. – 3. 11. 2018
Schleifmühlgasse 5, A-1040 Wien
http://georgkargl.com/

 

Schmale_P1060373 Kopie-1e74642e.jpgToni Schmale

CHRISTINE KÖNIG GALERIE
curated by_Daniel Muzyczuk
Opening: 13. 9.2018 | 18 pm
Speak in Order That I May See You or Whistle and I’ll Come to You
Félicia Atkinson, Susan Howe, Gerhard Rühm, Toni Schmale and others
Exhibition: 14. 9. – 13. 10. 2018
Schleifmühlgasse 1A, 1040 Vienna
http://christinekoeniggalerie.com/

 

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CÄCILIA BROWN  Aktivbürger, 2016
aus der Serie Luxusprobleme  Beton, Stahl, 67 x 68 x 139 cm
courtesy Gabriele Senn Galerie
Photo: Iris Ranzinger

 

Gabriele Senn Galerie
curated by_Georg Elben
Performance – Körper als Kontinuum in der Kunst
kuratiert von Georg Elben
Eröffnung: Donnerstag 13. September 2018 | 18 Uhr
Cäcilia Brown, Kerstin von Gabain, Kathi Hofer,
Natalia LL, Marko Lulić, Johanna Reich, Elfie Semotan, Ene-Liis Semper, Marina Sula, Jaan Toomik, Paul Wierbinski
Exhibition: 14.09. – 13.10.2017
Schleifmühlgasse 1A, 1040 Vienna
http://www.galeriesenn.at/
https://curatedby.at/

CHARIM EVENTS
LAURE PROUVOST
“IDEALLY…”
Eröffnung /Opening: 13. Sept. 2018 | 18 Uhr
Selected by Michael Scott Hall
Exhibition: 14. 9. – 31. 12.2018
Schleifmühlgasse 1A, 1040 Vienna
http://www.charimgalerie.at/

1060 Vienna

Galerie Nathalie Halgand
curated by_Attilia Fattori Franchini
DARREN BADER, NOAH BARKER,
TONY COKES, NIK GEENE, MICHÈLE GRAF
& SELINA GRÜTER, LUCHITA HURTADO,
GILI TAL
Exhibition: 14. September – 13. October 2018
Stiegengasse 2/3 (Mezzanin), Corner Linke Wienzeile
1060 Vienna, Austria
http://galeriehalgand.com/

1070 Viennafrancesco_gennari_und1375_def-1.800x0.jpg
GALERIE HUBERT WINTER
curated by_Lorenzo Giusti
Opening: Thursday, 13. 9. 2018 | 6 pm
SIMONE FATTAL. FRANCESCO GENNARI
CURATED BY LORENZO GIUSTI
Exhibition: 14. September – 10. November 2018
Breite Gasse 17, 1070 Vienna
https://galeriewinter.at/

Knoll Galerie Wien
curated by_Eszter Lázár and Edina Nagy
Opening: Thursday, 13. 9. 2018 | 6 pm
Exhibition: 14. 9. – 25. 10. 2018
http://www.knollgalerie.at/

KRINZINGER PROJEKTE
curated by_Jérôme Sans
The Thirtieth Year
Opening: Thursday, 13. 9. 2018 | 6 pm
mentalKLINIK, Monica Bonvincini, Mircea Cantor, Leandro Erlich,
Gregor Hildebrandt, Mika Rottenberg
Exhibition: 14. 9. – 25. 10. 2018
Schottenfeldgasse 45, 1070 Vienna
http://galerie-krinzinger.at/projekte/

 

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Galerie Raum mit Licht
VORVORGESTERN
curated by_Franziska Lesák
Vernissage: 13. September 2018 | 18–21 Uhr
Ausstellung: 14. September – 25. Oktober 2018
Kaiserstrasse 32, 1070 Wien
http://www.raum-mit-licht.at/vorvorgestern-curated-by-franziska-les-k-122.html

Tue–Fri, 11 am–6 pm + Sat, 11 am–3 pm | Di–Fr, 11–18 Uhr + Sa, 11–15 Uhr

https://curatedby.at/

 

 

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MARTIN_GRANDITS

RUDOLF BUDJA GALERIE
Salzburg Summer Festival Exhibiton 2018
MARTIN GRANDITS
Opening: Saturday, 28 July 2018 | 14 pm
Samstag, 28. Juli 2018 | 14Uhr
A-5020 SALZBURG. Wiener Philharmoniker Gasse 3.
https://www.artmosphere.at

 

 

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SUMMER FESTIVAL EXHIBITION 2018
In Jenseits von Gut und Böse schreibt Friedrich Nietzsche:
„Und wenn du lange in einen Abgrund blickst, blickt der Abgrund auch in dich hinein.“ Umgekehrt mag es hingegen auch sein, dass, wenn du lange genug
nach der Schönheit suchst, sie irgendwann von selbst an deine Tür klopft.
Kunst bedeutet zu einem großen Teil, das Sehen zu lernen.
Martin Grandits schafft es in seinem Werk die Ästhetik auch im Alltäglichen wahrzunehmen. Ein Logo, ein Brotaufstrich oder eine Bierbank – alles kann Grundlage für eine künstlerische Idee sein – und ein T-Shirt ist dabei als Trägermedium nicht weniger geeignet als eine auf Keilrahmen
gespannte Leinwand.
Mit beeindruckender Nonchalance assoziiert sich Martin Grandits zwischen Tinder und Picasso quer durch die Popkultur und Kunstgeschichte und macht meistens dort Halt, wo man es am wenigsten von ihm erwartet.
Sein Weggefährte ist dabei stets der kritische Blick und immer auch der Humor, einerseits als Stilmittel und andererseits als Waffe gegen das Pathetische.
„David Hassbach“

 

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Martin Grandits 1982 in Wien
lebt und arbeitet in Wien
Martin Grandits wurde 1982 in Wien geboren, wo er ebenso lebt und arbeitet.
Ausbildung: „Transmedial Art“, Brigitte Kowanz und die Universität für angewandte Künste in Wien

 

Opening: Saturday, 28 July 2018, 14:00
Festival Opening hours: 11  – 19 pm

A-5020 SALZBURG. Wiener Philharmoniker Gasse 3.
https://www.artmosphere.at

 

Goldener Leberkäse, gekackter Honig und dichtende Aliens:
Wiener Künstler im Porträt

https://www.vice.com/de_at/article/wnbwqn/goldener-leberkase-gekackter-honig-und-dichtende-aliens-wiener-kunstler-im-portrat

Ema Kaiser-Brandstätter und Dina Lucia Weiss
Feb. 27 2017

 

 

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BIENNALE ARTE 2019

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La Biennale di Venezia
58th International Art Exhibition
BIENNALE ARTE 2019
May You Live in Interesting Times
Preview: May 8th, 9th and 10th
Ralph Rugoff curator of the
58th International Art Exhibition
Paolo Baratta
President of La Biennale di Venezia,
May 11th to November 24th, 2019
Venice Arsenale and Giardini
https://www.labiennale.org

 

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La Biennale di Venezia
May 11th to November 24th, 2019

Venice, July 16th 2018 – The President of La Biennale di Venezia, Paolo Baratta, and the curator of the 58th International Art Exhibition, Ralph Rugoff, met the press today at Ca’ Giustinian to launch the Biennale Arte 2019, which will take place from May 11th to November 24th 2018 (Preview May 8th, 9th and 10th) at the Giardini and the Arsenale, as well as around other venues in Venice.

The 58th International Art Exhibition will be titled May You Live in Interesting Times, after an ancient Chinese curse referring to periods of uncertainty, crisis and turmoil; “interesting times”, exactly as the ones we live in today.

Ralph Rugoff explained his choice as follows:

“At a moment when the digital dissemination of fake news and ‘alternative facts’ is corroding political discourse and the trust on which it depends, it is worth pausing whenever possible to reassess our terms of reference.”

“The 58th International Art Exhibition will not have a theme per se, but will highlight a general approach to making art and a view of art’s social function as embracing both pleasure and critical thinking.”

“Artists who think in this manner offer alternatives to the meaning of so-called facts by suggesting other ways of connecting and contextualising them.”

“May You Live in Interesting Times will aim to welcome its public to an expansive experience of the deep involvement, absorption and creative learning that art makes possible. This will entail engaging visitors in a series of encounters that are essentially playful, taking into account that it is when we play that we are most fully ‘human.’ This will mean tweaking aspects of the Exhibition format where possible to make sure they are sympathetically aligned with the character of the art being presented.” (See full statement attached)

President Paolo Baratta stated:

«In 1998, on this very same date, July 16, the reformed Biennale appointed Harald Szeemann as first curator of the new Biennale. This choice was suggested by the very history of the institution. The Art Exhibition traditionally resulted from the coming together of several exhibitions, each one with its own theme and curators. In 1980, one of these sections was titled Aperto (Open), a name that encapsulated a different atmosphere of openness to the world; this was also curated by Szeemann, among others. It is unsurprising that his first Biennale in 1999 was titled dAPERTutto (APERTO overALL). The germ of the 1980 exhibition thus grew into the International exhibition.”

“Through the appointment of Ralph Rugoff as Curator, we meant to contribute and give further formal clarity to the idea that we have nurtured in the last twenty years about the role of La Biennale and especially of the Art Exhibition.”

“We are committed to the principle that the institution must be a machine for desire whose mission is to buttress and boost our need to see further beyond, a need that art can help us fulfill. But the Biennale should also be the place where each single visitor is strongly encouraged to come face to face with the work of art. The institution, the places, the works selected by the Curator, their spatial display, the atmosphere that the institution can create, all of these must contribute to building favourable conditions that allow visitors to feel engaged when meeting the artwork, as if they were players on a fencing strip, ready for a bout

As usual, the 58th International Art Exhibition will also feature National Participations with their own exhibitions in the Pavilions at the Giardini and the Arsenale, as well as around the city centre of Venice. The next edition will also include a selection of Collateral Events, in which international institutions will present their exhibitions and initiatives in Venice concurrently with the 58th Exhibition.

https://www.labiennale.org
#BiennaleArte2019 #MayYouLiveInInterestingTimes

 

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